Silkscreen
Year of production: circa 1951
Edition: 194/200
Publisher: Guilde Internationale de la Gravure (Geneva / Paris)
Printer: Jean Bruller (Paris)
Catalogue: Saphire n° E 8
Paper size: 43.7 × 35.5 cm
Image size: 27.5 × 20 cm
Signed in pencil
With certificate of authenticity
Condition: Very good
Print based on an original gouache painting
This work is held by our affiliated gallery in France. While it is considered to be in good condition by local (French) standards, evaluation criteria for aged items may differ between France and Japan. Please consider purchasing only if you acknowledge and accept any signs of age-related wear (such as stains, discoloration, folds, wrinkles, or sun damage) typical of a vintage item. Please note that we have not personally inspected the physical item. The work is currently stored in France, and delivery after ordering will take at least two weeks. Due to the nature of the work, returns after purchase cannot be accepted.
This work, from Léger's later period, is striking for its light composition with pale, pastel colors. Mysterious organic forms spread through the space, and geometric three-dimensional elements are contrasted with the floral motifs in the foreground.
Flowers are a recurring symbol in Léger's work, evoking hope and renewal. The inspiration for this work is thought to come from the landscape of the Chevreuse region, where he settled in his later years.
It is a work that, while simple, stands out for its harmony of color and form.
About Fernand Léger
Fernand Léger (1881–1955) was a prominent French modern painter of the early 20th century. While influenced by Cubism, he established his own unique style, known for powerful compositions centered on the "contrast" of form, color, and volume.
After his experiences in World War I, he developed a "mechanical style" incorporating modern motifs such as machines and urban landscapes. After the war, his work evolved to feature more vibrant colors and voluminous figures, creating clear and vital canvases.
He was active not only in painting but also in a wide range of fields, including murals, stage design, and collaborations with architecture, leaving a significant mark on the development of modern art.
