Yayoi Kusama Infinity Nets 1994 Lithograph

This work is composed of intricate and complex patterns of lines that spread across the entire rectangular screen. Countless thin lines intertwine with each other, forming a mesh or net-like structure. This pattern consists of thousands of small polygonal cells, many of which are composed of triangles and quadrilaterals, connected by tiny contact points. This characteristic is seen in Yayoi Kusama’s representative series, "Infinity Nets."

The line drawing is extremely delicate and elaborate, and the density of the mesh, created using the lithograph printmaking technique, subtly changes across the entire screen, resulting in an organic gradient of light and shadow, giving depth and movement to the flat composition.

The visual characteristics of the work strongly align with Yayoi Kusama’s artistic themes of repetition, proliferation, and infinity. However, it is not possible to determine the authenticity (that the work is genuine) solely from the image.

This work features a net-like pattern constructed from countless thin lines covering the entire screen.

It is an expression that belongs to the lineage of "Infinity Nets," a theme Yayoi Kusama explored throughout her life since the 1950s, symbolizing the infinitude and spiritual expansiveness created through repetition. The accumulation of intricate lines embodies the fundamental theme of Kusama's art: integrating with the cosmos beyond the boundaries of the individual. While the image suggests the possibility of it being a limited edition print, its authenticity requires verification by a specialized institution.

Entranced by social freedom and the vibrant post-war American art scene, Yayoi Kusama left Japan in 1958 and moved to New York. Soon after, she began creating her "Infinity Nets" series, including "No. F.," exploring the concepts of infinite repetition and infinite space.

The vast white canvases anticipated the monochrome works of later minimalists, while the thickly applied, complex mesh texture (matière) revealed a more personal and obsessive aspect.

Indeed, these "nets" can be seen as a material manifestation of the patterns Kusama had continuously seen in her hallucinations. She suffered from visual hallucinations since childhood, and these experiences became an important source for her lifelong creative activities.

After moving to New York in 1958, Yayoi Kusama began producing her "Infinity Nets" series, which marked the starting point of her global recognition. This work expresses endlessly expanding space and the continuity of life through a net pattern composed of countless repetitions. The intricate pattern spread across the white screen anticipates later minimalism, while also being a profoundly personal expression rooted in Kusama's own hallucinatory experiences. By materializing the hallucinatory images she had seen since childhood into paintings, Kusama sublimated anxiety and fear into art, creating a unique visual language that represents 20th-century art.

These "Infinity Nets" are not merely abstract expressions but are positioned as an important series embodying the fundamental philosophy of Kusama's art, which seeks to transcend the boundaries between self and cosmos.

This work is kept by our affiliated gallery in France. According to local (French) standards, the condition is good, but the criteria for evaluating the condition of vintage items may differ between France and Japan. Please consider purchasing only after acknowledging any signs of age-related wear (stains, discoloration, folds, wrinkles, tanning, etc.) that come with vintage items. Please note that we have not personally inspected the actual item. **More detailed condition photos are available, so please inquire before purchasing.** The work is currently stored in France, and it will take more than two weeks for delivery after your order. Due to the nature of the work, returns after purchase cannot be accepted.